The reason – The intent

There’s always a lot of discussion about making art and what the artist’s intention is, how important the intention is, why they make what they make. For me, I’m of mixed feelings about how much the viewer needs to know the artist’s intention.

I want the viewer to look at my work and have a reaction of their own, or none, without my intervention. When people come to me and ask questions, I’m often guilty of asking them questions back, until they reveal what they think about the piece. Then I might agree, or be intrigued by something new they found all on their own, sometimes I’m surprised by their take on it. That’s good! I might also share some of my own thoughts about it, either about the making of it and how it started or what I thought after it was all done.

I will say that sometimes that discussion with the viewer is fun and enlightening on both sides. You’ve read here that I’m not a big fan of artist statements and lately have written haikus, again to make the viewer do some thinking about something without giving away the store (or the story). I don’t write “As an artist, my work revolves around identifying my contrapuntal relationship with nature and the forces that bear down on our lives and I do this by exploring the application of paint and stuff to my material referencing ancient women’s role in society.” In fact if I ever typed something like that in relation to a quilt you’d find me dead of self-inflicted butter knife stabbing alongside the computer!

I do know though that having some knowledge about the artist – their life and how they worked often enriches my experience as a viewer. That’s me loving biography. I get a sense of where the work comes from or how they came to make it. I don’t ask for a blow by blow of why they made this particular piece.

Having said all that, one of the new pieces in the Metropolitan Museum’s Connections series is about Intention, and it does look at the whys behind a piece and how that impacts the viewer and asks the question: does the artist’s intention impact how good or valuable the work is.

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In the Mountains on a Summer Day

In the Mountains on a Summer Day

Gently I stir a white feather fan,
With open shirt sitting in a green wood.
I take off my cap and hang it on a jutting stone;
A wind from the pine-trees trickles on my bare head.

Li Po b.701

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Big Reads

I’ve obviously been re-reading Lord of the Rings, and then The Hobbit and I was about to read The Children of Húrin when I took a detour and purchased The Silmarillion. (and I think I figured out how to say it: SILL*mah*RILL*yun) I’ve only gotten past the intro by Christopher Tolkien and part way through the letter by JRR to his publisher. If you’d been outside my window last night you would have heard me saying wow. wow. wow. Repeatedly.

I always wonder how people write novels – to keep characters and places and timelines in order and yet here is this person who truly created not only a story line with a lot of characters (holy Tolstoy batman!) but a whole world and history and mythology surrounding it, and, it turns out, a lot of rather philosophical basis for why things happened when and how they did. That was a rather large WOW. And oh by the way – all rather due to a perceived lack of English mythology. Wow.

So yeah. That will keep me busy for awhile.

So what big reads do you read? What brings you back? Do you long for more info about what went on with the writer? (I’ll confess to similar questions about the writing of Kristin Lavransdatter) although the story line there is much simpler. I remember taking notes about characters in War and Peace LOL.

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that fleeting thought

You know that old thing about having a notepad by your bedside so you can write down that idea that comes to you, unbidden, in the middle of the night? Well, I wasn’t awakened by a thought in the night but I was sure I had lost an idea from lack of writing it down.

Started routinely enough: I had a thought for a poem, one of those clear, in-the-moment thoughts that was just so clear. I rolled it around for a moment but I was in the middle of something else. It was so clear I wasn’t worried at all.

The next day, the same thought came wafting back in, again while I was away from any way of recording it. But – came to me again, rolled it around a bit inside my head, no worries.

And then – gone. I waited. I wasn’t too worried, and then I was actually sad for awhile. All I had was the knowledge that I had had a good idea and now it was totally gone. I couldn’t even remember what I had been doing when I’d had the good idea, let alone what the idea was.

This morning I locked myself out of the house on the way out the door. Jolly. I had an emergency key. As I drove I reviewed how to get into the house when I get home and wondered how it was I didn’t have a key hidden somewhere. And in fact, where was the spare set I always carry with me? Oh – took it out during all my recent travels. And where were they now? Hmmmmm. Ok check when I get back in tonight. As I mulled it over, I suddenly thought about the sadness of losing the good idea. And even more suddenly – there was the good idea!

Who knows. Moral of the story – write it down ASAP.

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Outside and inside

Pattern and repetition

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