Are you going to doubt Shakespeare and his friends?

I went to the first of three nights of “conversation” about sonnets at the East Greenbush Library. Sounded like a good time – you may remember that I attempted to do a daily sonnet during last year’s National Poetry Writing Month. It wasn’t easy or always possible.

A sonnet of fourteen lines is four plus haiku which, when you think about it, wouldn’t be all that hard to come up with, although sonnets traditionally have more syllables or meters in them. Sonnets may also have rhyming schemes and have a history of having a first idea in the beginning eight lines, and then a resolution in the remaining six, often with a dollop of summary or zinger in the last two lines.

In any case, three nights about sonnets.

The teacher, an esteemed retired high school teacher begins with:

Humans are at their best when working within a restraint.

Quickly, I wrote that down.

We began listening to sonnets by Shakespeare and Gerard Manley Hopkins and Petrarch and Wordsworth and others. These fourteen line gems of description and feeling and ideas, with rhymes, often with impeccable meter. I am usually impressed with the ease of reading Shakespeare aloud and it was true for most of the poems we looked at.

What Petrarch had started in the 14th century, others had seized as a form to shape their own ideas and words.

Wordsworth wrote:

Nuns fret not at their convent’s narrow room;
And hermit are contented with their cells;
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Ait blithe and happy; bees that soar for bloom,
High as the highest Peak of Furness-fells,
Will murmur by the hour in foxglove bells:
In truth the prison, into which we doom
Ourselves, no prison is: and hence for me,
In sundry moods, ‘t was pastime to be bound
Within the Sonnet’s scanty plot of ground;
Pleased if some Souls (for such there needs must be)
who have felt the weight of too much liberty,
Should find brief solace there, as I have found.

So the next time someone sniffs at my squares or whatever I’m doing in fabric or haiku or anything else I’m doing, I think I’ll just look them in the eye and quote them a fair bit of sonnet…

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So says Mr. Wyeth

My aim is not to exhibit craft, but rather to submerge it, and make it rightfully the handmaiden of beauty, power and emotional content. – Andrew Wyeth

I’ve been asked a few questions about participating in National Poetry Writing Month so I’ve been retagging the posts about it to something more useful. Then, I plan to browse through three years of doing a month of writing poetry to see how it’s been for me so I can write something about it.

That’s the plan anyway.

I went to the eye doctor today which left me with very dilated eyes and not much will to stick little pieces of fabric on the wall, although I did think about the whole thing while sitting in the waiting room waiting for the eyeballs to dilate.

I had a nice consultation with the very nice Dr. Perlmutter and he got a nice consultation from the nice person from the Apple Store who was in his chair. Worked out quite nicely!

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That moment

That part of the process where you

A) Stick 448 squares to the wall

B) Wonder: Is that really all the black fabric and squares I have? Really? That’s all the black fabric I have?

Un-freakin’-believable.

squares

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Same old thing?

Before you start asking questions, just let me show you that some things might be a little different…

20140105-205244.jpg

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Tonight in the warmish mid-winter

Eating some stinky moldy cheese and crackers and grapes and olives. Sticking little squares onto a wall. Don’t have a clue as to what I’m doing exactly but the cheese is good.

working dinner

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