Warez MB? And Warez MB’s brain?

I was sick for a few days with a plain old cold which made the normal ol’ progression from throat and clogged head to rattly chest and gave me a few days without much oomph to do much. I was in no shape to deal with the public.

So I did wildly exciting stuff like taking little pieces of fabric off the wall (carefully and slowly). I re-watched the Harry Potter films and let the last ones give my tear ducts quite the work out. (much weeping)

I tried not to fret about my first-ever vegetable delivery from Field-Goods. I did manage to eat:

blueberries (with some fine yogurt I had on hand)
a chopped salad mix of stuff that included turnips and kale and bok choy. They recommended a mustardy dressing which I tried and agreed it was tasty but then, being sick, I threw the rest in with a soup I made and it was quite excellent.
a turnip got chopped up and thrown into that soup too.
I put the frozen cherry tomatoes back into the freezer for another day’s stir fry or something.

I managed to do a little sewing once the dayquil actually did something which was Tuesday afternoon. Last night I was WIDE awake so as you saw I rummaged around on the Robert Genn website and read all kinds of things which made my head turn into a sort of art mush. Worse things have happened.

I had to rummage again because I wanted to find one thing I’d read last night about “recovery mode” – not just the idea that you can, using your skills and mastery, recover from mistakes but you can put yourself into a risk taking mode to take advantage of those skills in recovery. Emphasis in quote below is mine:

The more I’m in this game, the more I realize that it’s a matter of knowing what you’re doing — being able to do it — and being able to recover when you don’t. Accepting that the latter condition is commonplace is part of the game. Furthermore, just knowing that you can get into recovery mode frees you to take chances — particularly at the early stages. As a matter of fact, the recovery mode is where the most inventive and creative moves are discovered and made. A lot of recovery is instinctive. A player needs to act instinctively to bring his will back into play.

Robert suggested purposely introducing “mean characters” like bad brushes or colors to force yourself into this recovery mode state of mind and then ended his letter with this great quote:

I think I’m painting a picture of two women but it may turn out to be a landscape. — Willem de Kooning

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Remembering Robert Genn’s Eleven Steps

1. Art is a perfectly complete cause.
2. You are solely responsible for doing the work required to become better.
3. You are responsible for understanding your limitations.
4. You are responsible for radicalizing your strengths.
5. Make a searching and fearless inventory of your creative curiosity.
6. Pay no attention to the less courageous.
7. Learn from the greats, and expose yourself to better work.
8. Read in order to write, but paint in order to paint.
9. Be artistic, choose taste, set an example.
10. “Play” is your route to mastery.
11. In the art game we do our own cooking.
Robert Genn, as written by his daughter Sara Genn

Art is a path on which we honour our world. — Robert Genn

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For the quote box

The ideals which have lighted me on my way and time after time given me new courage to face life cheerfully, have been truth, goodness, and beauty. — Albert Einstein

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Home But No Snow

I toddled off to work yesterday with a scratchy throat and a pocket full of cough drops. Last night that turned into the typical “just someone remove my throat already for mercy’s sake” sort of cold. I seriously think something has changed my ability to have a sneezing, dripping cold into a mucous-attacks-the-throat sort of thing.

Well that was too much info probably but there you go. Went back to sleep after calling in and caught up on the sleep I’d lost the last two nights and now I’m up and around. Nothing serious, just a cold. I’ve lots of provisions, lots of tea and coffee supplies and a warm bed plus two cats.

Meanwhile way south of here is getting some ridiculously beautiful powder. You can admire powder snow even if you’re not a skier. It’s easy to shovel and it allows some drifting and sculpting of snow that is very beautiful.

In the meantime I’ll just stay here with my Qwertywriter keyboard (now with option and command keys properly assigned) and a cuppa joe, ready to find what’s out there. I was given info about a local poetry contest to enter but never realized how difficult it is to choose ONE poem to show a group of strangers. How bizarre. Well, will continue to ponder on this.

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The Small Points of Process and Progress

After looking at this mess of pieces stuck to my wall for awhile, I did what any normal person would do: today I started to take them down. I had put all the “extra” or “left over” pieces into a more secure and much smaller storage situation. Perhaps that gives other quilters the heebee-geebees, the notion of having so many “extra” pieces that putting them away is required. My extra pieces often get stored away and brought out for a future project.

When you want to work with a range of colors and textures and there’s not a set pattern, well, you have to either cut each piece as you want it or cut a bunch of everything and see what you want next. The first option might be more fabric sparing but it would be ridiculous and slow as hell. The second choice is much more efficient for the sticking-on-wall part but of course results in cutting more pieces than you need because you don’t really know how many of each you’ll need.

So I start with a big pile of fabric that I pull out of my stash and a bunch of strips that were left from having cut things for other projects and I cut until I have a lot of pieces. Then I stick a lot of pieces onto my design wall. When I have what I think I want (more on this in a moment) I stop and look at it for some amount of time and then I take it down.

The process of taking it down has to be a way that allows me to keep it all oriented as it was while stuck on the wall. It also has to be taken down in a way that will allow all the pieces to be sewn together in a fairly efficient manner. Otherwise, I can confidently say, I’m probably not going to do it. I look for straight forward ways that won’t make me mess up the order of the pieces and to allow sewing it.

How many pieces do I want? Well, enough to get the effect I’m going for without pieces being too small (I’m not a masochist after all!) and enough to be big enough without being ridiculous. I would work bigger (finished size) probably if I didn’t have to occasionally ship things but after a point bigger is just bigger, and eventually it gets silly-big. I already work bigger than many people and I don’t think most of my quilts are all that big. I used to routinely make things that were 90 X 108 or so inches and didn’t think they were all that big.

The piece size can’t be too big or there’s not enough variation across the finished work but there’s a limit to how little things can get before it’s just too small. I don’t usually fussy cut pieces but I can choose pieces which add more color or pattern as though they were pieced. Or I might piece them.

Obviously the process of taking things down off the wall gives me way too much time to think about how the pieces got up there in the first place. Or maybe it’s just to keep me from thinking about all the sewing ahead.

I took about one-third of the total thing off the wall tonight. It surprised me how many pieces were stuck to the wall, total.

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